Celebrating July 4th, Lesson on Repentance

I attended two different churches on the Sunday before July 4th. They incorporated the holiday differently in their worship.

One church had each military division carry their respective flags to the stage while the orchestra and the men’s choir played a rousing tune. Then six men clad in green army gear from World War 2, ran down the stage and lifted the American flag, reenacting the famous Iwo Jima flag raising. It was an inspiring production that brought everyone to their feet. When the pastor preached, he made sure to credit God for the blessings of America and that they were celebrating the cost of freedom and the men in service and not the violence of war. He also warned of the danger of idolatry, that as Christians it is always God, first, then country.

In the second church, a head of the American bald eagle with its defiant stare and a wood panel painted in the stars and stripes stood astride the stage. They stood at the foot of the lectern and the pulpit. The liturgist prayed for the country giving praise saying, “It ain’t perfect but I wouldn’t want to be anywhere else,” and the congregation shouted a loud “Amen.” Then in the sharing of prayers of the people, one member offered a historical lesson, that African-Americans never celebrate the 4th of July because on that day, they were slaves and remained slaves even after they helped fight and win Independence, and that until the Civil War where they joined the celebration of the independence from Britain with emancipation from slavery, July 4th never felt like a holiday for them. She then quoted Frederick Douglas who said, “What, to the American slave, is your 4th of July?” And the congregation nodded.

I went and looked up that quote. It was part of a speech before a large, mostly white crowd in Rochester, New York on July 5, 1852, where Douglas continued to say it’s “a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he [the slave] is the constant victim.”

I think you might’ve guessed that the second church was a black church and the first, though there were a scattering of people of color, was a white church.

I wondered, the days after,  what would’ve happened if someone in the white church pointed out the fact that July 4th was experienced differently and continues to be experienced differently. What if someone recalled the fact that as this new country was forming its own constitution, it debated and finally made a decision to legalize slavery?

If a person raised this historical fact, some would accuse her of being an agitator and ruining a celebratory day with the baggage of the past, that slavery has ended long time ago and let history be laid to rest. Which would be ironic because any holiday, especially a holiday celebrating a birth of a nation, is actually saying history matters. July 4th is about the importance of history, that how we tell our history shapes us.

Which also means, that how we tell our history reveals who we are today and how we want to define ourselves. I’ve, subsequently learned that right after Civil War the most passionate celebrants of July 4th were the recently freed slaves. They’ve experienced the promise of the ideals of Independence day.

So there was a concerted effort in “taking” back this holiday that was becoming “too black.” Ethan J. Kytle and Blain Roberts marshall historical events that show how “Union and Confederate veterans, for instance, buried the hatchet in reunions that emphasized the bravery of all combatants and avoided any reference to slavery or the legacy of emancipation.” Pushing out the memory of slavery and emancipation was a way to choose to whom the holiday belonged.

I think a more honest history makes us more honest about ourselves today, and the more honest we are today, the wiser we can be for tomorrow. The danger of hagiographies is that it imprisons us to our past. We tend to circle back to our past when we don’t mark where we’ve been.

This is why God demands repentance from his people. Repentance is a way forward through and with our past. Repentance is an honest remembrance of the past, not for rueful or masochistic dwelling, but so we can move on because we move on not by forgetting but actually by never forgetting.

America, My America

America, My America

Though you say I am not yours,

though you pissed all over my front door

with your black graffiti hissing

“Go back home chink!”

you are still my America.

     

Because I believe in you,

not in your greatness

but in your capacity to repent.

Though you think you are great — drunk with blood,

and puke your vulgarity, you are still my America.

For when you are sober, you are an inspired poet.

Your song of independence is painfully beautiful.

Though you don’t believe in your own rhetoric, I

believe in the words that constitute you, my doubting poet,

that we are all endowed by the creator with inalienable

rights no nation can deny, not even you, America.

for they are not your words which you can

undo or redo for words are greater than the poets that borrow them.

And one day, those words will cut your heart into repentance.

 

America, you are my America because you are a dreamer.

Did  you not raise your small hands against the Behemoth Britain

because you dreamed of a land where lady Liberty called

the poor and refuse of this world into her shores,

shining an inviting light through the open seas?

 

We call it the American Dream, but it is older than you America.

Older than all your contradictions and nightmares,

older than your Jim Crow laws and burning crosses,

older than the Trans Atlantic slave trade, older than the

Red Man’s decimation, older than the rise of people who call themselves white,

older than nations fattening into self-importance and rapaciousness.

 

Prophet King did not awaken the dream.

King was awakened by the dream.

It was in Hughes for it is older

than the rivers in his body;

Old as the Tigris and Euphrates.

It gave visions to Crazy Horse,

of all races gathered around the tree of life,

singing the same song in different tongues.

It inspired Whitman to see in the grass,

the soul of the black and white in the same soil,

his life continuing to life on the boot soles,

the journey-work of the stars.

It stirred in Sojourner Truth

her song to go home as a meteorite.

 

It was the dream of a young Palestinian

dying splayed open on a wood

to welcome all nations

to dine around his table

 

It was the dream of Abraham, that both his sons

would put down their swords and put him to the ground as brothers.

 

The dream is as old as Adam and Eve

who dreamed of Cain and Abel returning home for dinner.

 

One day, you will see me and see the error of your ways.

You will repent, that ancient practice of grasping Dream’s wings,

and I will welcome you home.

(was also generously published at Tuck Magazine)

America as Idea

For the first six years in America, we lived as illegals, but I did not know it. My father kept the fear of deportation to himself. His visa was approved by a bureaucratic mistake that he did not bother to correct. In 1986, President Ronald Reagan offered amnesty through the Immigration Reform and Control Act, and we became legal. To mark this freedom from having a pathway to citizenship, we moved out of our roach-infested apartment east of Queens and into a house on Long Island where the American dream awaited us.

On Wednesday evening — I still remember, just two weeks in our new place — we returned from midweek worship to graffiti all over our front door and garage, ugly black paint hissing, “Go back home Chink!” We were Koreans, not Chinese, but prejudice can’t see distinctions.

I’ve heard that racist slur before…..

(please read the rest of the column at North State Journal)

Why Does the American Dream Frighten Those In Power?

 

The call of the prophet is to call one’s nation to repentance, to courageously expose the hypocrisies and contradictions between dreams and reality. America has to be awoken from the stupor of false dreams.

The second call of the prophet is to be a poet, to speak of the dream with such imagination that hope is animated, that vision is sharpened to see a new way forward, and that feet are strengthened to walk toward it.

The full post at Sojourner

I Am the Immigrant

“The immigration ban stirred memories of the racial slurs I face/d, and how it has been used in American history to dehumanize the other making it easier, even a perverse patriotic duty, to reject, oppress and finally kill the alien/foreigner; but ultimately, the person we dehumanize is ourselves. Especially for America, built on the idea as the land of immigrants, the battle over immigration is a battle over the soul/identity of America.”
Please read the full text at tuck magazine.
(http://tuckmagazine.com/2017/02/21/poetry-736/)

I am yellow
and black
and brown
and mulatto.

I am the chink and the gook you confuse
I am the jap you fenced like a dog
I am the Jew you sent back to the chambers
I am the French you shipped back for treason
I am the Yank you suspected and shot
I am the Cracker you derided and shot
I am the you that you refused a sanctuary for

I am the sacrifice on the altar of Securitas

I am…(http://tuckmagazine.com/2017/02/21/poetry-736/)